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glass house vertigo

by Curtis Glatter/Nathan Hubbard

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1.
2.
flagstone 07:15
3.
interlude 06:00
4.

about

glass house vertigo
Castor&Pollux Music 040

glass house vertigo 15:58
flagstone 7:16
interlude 6:00
northstar emblem 19:56

Curtis Glatter -
synthesizer/electronics, four track, reverse piano, samples
ceramic bells, coffee cans, flower pots, pipeophone, bamboo xylophone, pod shaker, handclaps
dumbek, bongoes, congas, piccolo snare, field snare, tom toms, floor tom, vietnamese kettle drum, large bass drum
bent bell cymbal, medium cymbal, spoxe, coil spring, bell plate, small gong, moe! tam tam, small percussion + junk
voice

Nathan Hubbard -
vase feedback, no input pedals, sunburnt tapes, samples
4 bar glockenspiel, tone bells, vibraphone, marimba, chord organ, electric piano, peacock harp
water drums, shaker(s), handclaps
bongoes, marching snare, floor tom, plastic garbage can, vietnamese kettle drum, drumkit, timpani
washtubs, brake drums, large bell plate, tam tam, hubcaps, pang cymbal, kc plate, small percussion + junk
voice + kaoss pad

credits

released February 25, 2017

recorded September 2005 - September 2012 -
Voz Alta San Diego CA, DHCC San Marcos CA, Singing Serpent San Diego CA, Termite Studios San Marcos CA

All music and text by Curtis Glatter/Flexus Music (ASCAP) and Nathan Hubbard/Castor & Pollux Music
Production, recording, editing, mix - Nathan Hubbard
Mastered by Steve Langdon - Langdon Productions

Cover art - Curtis Glatter
Back cover picture - Marcos Fernandes
Layout + design - Nathan Hubbard

Thanks - Kelly + Julia + Elliott + Henry Hubbard, Diane Glatter and family, Rafter Roberts, Don Hubbard Jr., Trummerflora Collective, Steve Langdon, Alex Cline, G.E. Stinson, Toni Pope, DJ Tenshun, Skeleton Key Percussion.

license

all rights reserved

tags

about

Castor&Pollux Music San Diego, California

Castor&PolluxMusic, home of Nathan Hubbard, Curtis Glatter, Lou Damian Trio, Return To One, The Scorpion Decides, toques, ShutterSpeed, Serious Runners, and a host of others. Since 1999 or so.

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